Books with title The Most Fun We Ever Had: A Novel

An Instant New York Times Best Seller "Ambitious and brilliantly written." (Jane Smiley, The Washington Post) "Outstanding...[the] literary love child of Jonathan Franzen and Anne Tyler." (The Guardian) "Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos. Claire Lombardo writes like she's been doing it for a hundred years, and like she's been alive for a thousand." (Rebecca Makkai, author of The Great Believers) When Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that's to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'. As the novel moves through the tumultuous year following the arrival of Jonah Bendt - given up by one of the daughters in a closed adoption 15 years before - we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile. Spanning nearly half a century, and set against the quintessential American backdrop of Chicago and its prospering suburbs, Lombardo's debut explores the triumphs and burdens of love, the fraught tethers of parenthood and sisterhood, and the baffling mixture of affection, abhorrence, resistance, and submission we feel for those closest to us. In painting this luminous portrait of a family's becoming, Lombardo joins the ranks of writers such as Celeste Ng, Elizabeth Strout, and Jonathan Franzen as visionary chroniclers of our modern lives.

AN INSTANT NEW YORK TIMES BESTSELLER"Ambitious and brilliantly written."--Jane Smiley, The Washington Post"Outstanding...[the] literary love child of Jonathan Franzen and Anne Tyler."--The Guardian"Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos. Claire Lombardo writes like she's been doing it for a hundred years, and like she's been alive for a thousand."--Rebecca Makkai, author of The Great BelieversWhen Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that's to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'. As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.Spanning nearly half a century, and set against the quintessential American backdrop of Chicago and its prospering suburbs, Lombardo's debut explores the triumphs and burdens of love, the fraught tethers of parenthood and sisterhood, and the baffling mixture of affection, abhorrence, resistance, and submission we feel for those closest to us. In painting this luminous portrait of a family's becoming, Lombardo joins the ranks of writers such as Celeste Ng, Elizabeth Strout, and Jonathan Franzen as visionary chroniclers of our modern lives.

AN INSTANT NEW YORK TIMES BESTSELLER"Ambitious and brilliantly written."--Jane Smiley, The Washington Post"Outstanding...[the] literary love child of Jonathan Franzen and Anne Tyler."--The Guardian"Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos. Claire Lombardo writes like she's been doing it for a hundred years, and like she's been alive for a thousand."--Rebecca Makkai, author of The Great BelieversWhen Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that's to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'. As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.Spanning nearly half a century, and set against the quintessential American backdrop of Chicago and its prospering suburbs, Lombardo's debut explores the triumphs and burdens of love, the fraught tethers of parenthood and sisterhood, and the baffling mixture of affection, abhorrence, resistance, and submission we feel for those closest to us. In painting this luminous portrait of a family's becoming, Lombardo joins the ranks of writers such as Celeste Ng, Elizabeth Strout, and Jonathan Franzen as visionary chroniclers of our modern lives.

AN INSTANT NEW YORK TIMES BESTSELLER"Ambitious and brilliantly written."--Jane Smiley, The Washington Post"Outstanding...[the] literary love child of Jonathan Franzen and Anne Tyler."--The Guardian"Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos. Claire Lombardo writes like she's been doing it for a hundred years, and like she's been alive for a thousand."--Rebecca Makkai, author of The Great BelieversWhen Marilyn Connolly and David Sorenson fall in love in the 1970s, they are blithely ignorant of all that's to come. By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'. As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.Spanning nearly half a century, and set against the quintessential American backdrop of Chicago and its prospering suburbs, Lombardo's debut explores the triumphs and burdens of love, the fraught tethers of parenthood and sisterhood, and the baffling mixture of affection, abhorrence, resistance, and submission we feel for those closest to us. In painting this luminous portrait of a family's becoming, Lombardo joins the ranks of writers such as Celeste Ng, Elizabeth Strout, and Jonathan Franzen as visionary chroniclers of our modern lives.

'A literary love child of Jonathan Franzen and Anne Tyler ... an outstanding debut, assured and highly enjoyable' Observer'Should appeal to fans of Maria Semple, Emma Straub and Jennifer Egan ... A moving, immersive, often very funny study of family and sisterhood' Sunday Times At a family wedding, the four Sorenson sisters polka-dot the green lawn in their summer pastels, with varying shades of hair and varying degrees of unease. Their long-infatuated parents watch on with a combination of love and concern. Sixteen years later, the already messy lives of the sisters are thrown into turmoil by the unexpected reappearance of a teenage boy given up for adoption years earlier - and the rich and varied tapestry of the Sorensons' past is revealed. Weaving between past and present, The Most Fun We Ever Had portrays the delights and difficulties of family life and the endlessly complex mixture of affection and abhorrence we feel for those closest to us. A dazzlingly accomplished debut and an utterly immersive portrait of one family's becoming, it marks the arrival of a major new literary voice.'A gripping and poignant ode to a messy, loving family in all its glory' Madeline Miller, author of Circe and The Song of Achilles'Everything about this brilliant debut cuts deep: the humor, the wisdom, the pathos' Rebecca Makkai, author of The Great Believers